The Message

Also known as:

The Message by Ta-Nehisi Coates

Literature is anguish.

It is also the fourth wall of a comic panel. It is also the sky beyond the roof, a ship deck in a storm. It is a hammer that must put a blow right into our self-assurance. And, the Ta-Nehisi Coates I have read do just that.

About a year back, I met a middle-aged person. The now ongoing Palestine conflict has just started back then. That person believed that whatever was happening to civilian Palestinians was happening for good. He was an Islamophobe of particular brutality.

I know he was bullied for being an atheist in a Muslim-majority country; I know drug abuse also contributed to this bitterness. But, mostly, it was propaganda. It was a lack of critical thinking. It was the lack of knowledge— of human cruelty that found its outlet in power. Power makes everyone an oppressor without failure.

Ta-Nehisi Coates made a point of that. I can try, too. But, I know very well, being a minority in many axes myself, no one will understand, except the oppressed.

In the end, this book saddened me. Because I know humanity is beyond saving.

Notes and Highlights
About The Message by Ta-Nehisi Coates

NATIONAL BESTSELLER • The #1 New York Times bestselling author of Between the World and Me journeys to three resonant sites of conflict to explore how the stories we tell—and the ones we don’t—shape our realities. “[Coates] is intellectually fearless … unshackled by political or racial ideology, humane in his judgments, respectful of facts, acutely aware of the difference between what is knowable and what is not.”—The New Yorker Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground. Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.